The Washington National Cathedral is chartered by Congress. The charter is signed by President Benjamin Harrison. - January 6, 1893


Washington National Cathedral is officially dedicated as the Cathedral Church of Saint Peter and Saint Paul in the City and Diocese of Washington.

The Cathedral Church of Saint Peter and Saint Paul in the City and Diocese of Washington, operated under the more familiar name of Washington National Cathedral, is a cathedral of the Episcopal Church located in Washington, D.C., the capital of the United States. Of neogothic design closely modeled on English Gothic style of the late fourteenth century, it is the sixth-largest cathedral in the world, the second-largest in the United States, and the highest as well as the fourth-tallest structure in Washington, D.C. The cathedral is the seat of both the Presiding Bishop of the Episcopal Church, Katharine Jefferts Schori, and the Bishop of the Diocese of Washington, Mariann Edgar Budde. In 2009, nearly 400,000 visitors toured the structure. Average attendance at Sunday services in 2009 was 1,667, the highest of all domestic parishes in the Episcopal Church that year.

The Protestant Episcopal Cathedral Foundation, under the first seven Bishops of Washington, erected the cathedral under a charter passed by the United States Congress on January 6, 1893. Construction began on September 29, 1907, when the foundation stone was laid in the presence of President Theodore Roosevelt and a crowd of more than 20,000, and ended 83 years later when the "final finial" was placed in the presence of President George H. W. Bush in 1990. Decorative work, such as carvings and statuary, is ongoing as of 2011. The Foundation is the legal entity of which all institutions on the Cathedral Close are a part; its corporate staff provides services for the institutions to help enable their missions, conducts work of the Foundation itself that is not done by the other entities, and serves as staff for the Board of Trustees. In 2011, the Cathedral was named the recipient of a $700,000 matching grant limited to preservation work as part of the Save America's Treasures program, a public-private partnership operated by the nonprofit National Trust for Historic Preservation using federal funds that must be matched by private dollars.

The cathedral stands at Massachusetts and Wisconsin avenues in the northwest quadrant of Washington. It is an associate member of the Washington Theological Consortium. It is listed on the National Register of Historic Places. In 2007, it was ranked third on the List of America's Favorite Architecture by the American Institute of Architects.


The west rose window was dedicated in 1977 in the presence of Queen Elizabeth II and President Jimmy Carter.

In 1792, Pierre L'Enfant's "Plan of the Federal City" set aside land for a "great church for national purposes". The National Portrait Gallery now occupies that site. In 1891, a meeting was held to renew plans for a national cathedral. In 1893, the Protestant Episcopal Cathedral Foundation of the District of Columbia was granted a charter from Congress to establish the cathedral. The commanding site on Mount Saint Alban was chosen. Henry Yates Satterlee, first Episcopal Bishop of the Diocese of Washington, chose George Frederick Bodley, Britain's leading Anglican church architect, as the head architect. Henry Vaughan was selected supervising architect.

Construction started September 29, 1907, with a ceremonial address by President Theodore Roosevelt and the laying of the cornerstone. In 1912, Bethlehem Chapel opened for services in the unfinished cathedral, which have continued daily ever since. When construction of the cathedral resumed after a brief hiatus for World War I, both Bodley and Vaughan had died. Gen. John J. Pershing led fundraising efforts for the church after World War I. American architect Philip Hubert Frohman took over the design of the cathedral and was thenceforth designated the principal architect. Funding for the National Cathedral has come entirely from private sources. Maintenance and upkeep continue to rely entirely upon private support.

Congress has designated the Washington National Cathedral as the "National House of Prayer". During World War II, monthly services were held there "on behalf of a united people in a time of emergency". Before and since, the building has hosted other major events, both religious and secular, that have drawn the attention of the American people.


The 2004 state funeral of Ronald Reagan

The cathedral was damaged during the 2011 Virginia earthquake. Finial stones on several pinnacles broke off, and several pinnacles twisted out of alignment or collapsed entirely; some gargoyles and other carvings were damaged, and a hole was punched through the metal-clad roof by falling masonry. Cracks have also appeared in the flying buttresses surrounding the apse. Inside, initial inspections revealed less damage, with some mortar joints loose or falling out; the stone vaults have been deemed to be sound. The 5.8 earthquake, the largest the east coast of the United States had seen since 1944, was felt very strongly in Washington, D.C., and damaged several buildings along with the cathedral. Repairs are expected to cost millions and take several years to complete. The cathedral was closed from August 22, 2011 to November 7, 2011. As of August 2013, the costs of on-going repairs have been pegged at $26 million.


Nave vaulting facing east

Its final design shows a mix of influences from the various Gothic architectural styles of the Middle Ages, identifiable in its pointed arches, flying buttresses, a variety of ceiling vaulting, stained-glass windows and carved decorations in stone, and by its three similar towers, two on the west front and one surmounting the crossing.

Washington National Cathedral consists of a long, narrow rectangular mass formed by a nine-bay nave with wide side aisles and a five-bay chancel, intersected by a six bay transept. Above the crossing, rising 91 m (301 ft) above the ground, is the Gloria in Excelsis Tower; its top, at 206 m (676 ft) above sea level, is the highest point in Washington. The Pilgrim Observation Gallery—which occupies a space about 3/4ths of the way up in the west-end towers—provides sweeping views of the city. In total, the cathedral is 115 m (375 ft) above sea level. Unique in North America, the central tower has two full sets of bells — a 53-bell carillon and a 10-bell peal for change ringing; the change bells are rung by members of the Washington Ringing Society. The cathedral sits on a landscaped 57-acre (23-hectare) plot on Mount Saint Alban. The one-story porch projecting from the south transept has a large portal with a carved tympanum. This portal is approached by the Pilgrim Steps, a long flight of steps 12 m (40 ft) wide.

Most of the building is constructed using a buff-colored Indiana limestone over a traditional masonry core. Structural, load-bearing steel is limited to the roof's trusses (traditionally built of timber); concrete is used significantly in the support structures for bells of the central tower, and the floors in the west towers.

The pulpit was carved out of stones from Canterbury Cathedral; Glastonbury Abbey provided stone for the bishop's formal seat, the cathedra. The high altar, The Jerusalem Altar, is made from stones quarried at Solomon's Quarry near Jerusalem, reputedly where the stones for Solomon's Temple were quarried. In the floor directly in front of that altar are set ten stones from the Chapel of Moses on Mount Sinai, representing the Ten Commandments as a foundation for the Jerusalem Altar.

There are many other works of art including over two hundred stained glass windows, the most familiar of which may be the Space Window, honoring man's landing on the Moon, which includes a fragment of lunar rock at its center; the rock was presented at the dedication service on July 21, 1974, the fifth anniversary of the Apollo 11 mission. Extensive wrought iron adorns the building, much of it the work of Samuel Yellin. A substantial gate of forged iron by Albert Paley was installed on the north side of the crypt level in 2008. Intricate woodcarving, wall-sized murals and mosaics, and monumental cast bronze gates can also be found. Most of the interior decorative elements have Christian symbolism, in reference to the church's Episcopalian roots, but the cathedral is filled with memorials to persons or events of national significance: statues of Washington and Lincoln, state seals embedded in the marble floor of the narthex, state flags that hang along the nave, stained glass commemorating events like the Lewis and Clark expedition and the raising of the American flag at Iwo Jima.

The cathedral was built with several intentional "flaws" in keeping with an apocryphal medieval custom that sought to illustrate that only God can be perfect. Artistically speaking, these flaws (which often come in the form of intentional asymmetries) draw the observer's focus to the sacred geometry as well as compensate for visual distortions, a practice that has been used since the Pyramids and the Parthenon. Architecturally, it is thought that if the main aisle of the cathedral where it meets the cross section were not tilted slightly off its axis, a person who looked straight down the aisle could experience a slight visual distortion, rendering the building shorter than it is, much like looking down railroad tracks. The architects designed the crypt chapels in Norman, Romanesque, and Transitional styles predating the Gothic, as though the cathedral had been built as a successor to earlier churches, a common occurrence in European cathedrals.

Numerous grotesques and gargoyles adorn the exterior, most of them designed by the carvers; one of the more famous of these is a caricature of then-master carver Roger Morigi on the north side of the nave. There were also two competitions held for the public to provide designs to supplement those of the carvers. The second of these produced the famous Darth Vader Grotesque which is high on the northwest tower, sculpted by Jay Hall Carpenter and carved by Patrick J. Plunkett.

The west facade follows an iconographic program of the creation of the world rather than that of the Last Judgement as was traditional in medieval churches. All of the sculptural work was designed by Frederick Hart and features tympanum carvings of the creation of the sun and moon over the outer doors and the creation of man over the center. Hart also sculpted the three statues of Adam and Saints Peter and Paul. The west doors are cast bronze rather than wrought iron. The west rose window, often used as an trademark of the cathedral, was designed by Rowan leCompte and is an abstract depiction of the creation of light. LeCompte, who also designed the clerestory windows and the mosaics in the Resurrection Chapel, chose a nonrepresentational design because he feared that a figural window could to be seen adequately from the great distance to the nave.


The flags of all the states of the US with the current liturgical banners hung on the pillars.

The worship department is, like the cathedral itself, rooted in the doctrine and practice of the Episcopal Church, and based in the Book of Common Prayer. Four services (and five in the summer) are held each weekday, including the daily Eucharist. Sunday through Thursday, the Cathedral Choirs sing Evensong. The forty-minute service is attended by roughly fifty to seventy-five people (more on Sunday). Five services of the Eucharist are also held on Sunday, including the Contemporary Folk Eucharist held in the Chapel of St. Joseph of Arimathea, and a Healing Eucharist in the late evening.

The cathedral also has been a temporary home to several congregations, including a Jewish synagogue and an Eastern Orthodox community. It has also been the site for several ecumenical and/or interfaith services. In October 2005, at the cathedral, the Rev. Nancy Wilson was consecrated and installed as Moderator (Denominational Executive) of the Metropolitan Community Church, by its founding Moderator, the Rev. Dr. Troy Perry.

Each Christmas, the cathedral holds special services, which are broadcast to the world. The service of lessons and carols is distributed by Public Radio International. Christmas at Washington National Cathedral is a live television broadcast of the 9 a.m. Eucharist on Christmas Day. It is produced by Allbritton Communications and is shown on national affiliates in most cities around the United States. Some affiliates broadcast the service at noon. The Christmas service at the Cathedral was broadcast to the nation on television from 1953 until 2010 and is still webcast live from the Cathedral's homepage.